Harry Belafonte, the civil rights and entertainment giant who began as an actor and singer and became an activist and humanitarian, is dead at the age of 96.
He died on Tuesday of congestive heart failure at his New York home with his wife Pamela by his side, said Paula Witt from public relations firm Sunshine Sachs Morgan and Lylis.
Belafonte was one of the first black performers to gain a wide following on film and sell a million records as a singer.
Many still know him for his signature hit Banana Boat Song (Day-O) and its call of: “Day-O! Daaaaay-O.”
He stands as the model and the epitome of the celebrity activist.
Few kept up with Belafonte’s time and commitment and none his stature as a meeting point among Hollywood, Washington and the civil rights movement.
Belafonte not only participated in protest marches and benefit concerts, but also helped organise and raise support for them.
He worked closely with his friend and generational peer Martin Luther King Jnr, often intervening on his behalf with both politicians and fellow entertainers and helping him financially.
In Spike Lee’s 2018 film BlacKkKlansman, he was fittingly cast as an elder statesman schooling young activists about the country’s past.
Belafonte’s friend, civil rights leader Andrew Young, said Belafonte was the rare person to grow more radical with age.
He was ever engaged and unyielding, willing to take on southern segregationists, northern liberals, the billionaire Koch brothers and the country’s first black president, Barack Obama, whom Belafonte remembered asking to cut him “some slack”.
Belafonte responded: “What makes you think that’s not what I’ve been doing?”
He won a Tony Award in 1954 for his starring role in John Murray Anderson’s Almanac and five years later became the first black performer to win an Emmy for the TV special Tonight With Harry Belafonte.
In 1954, he co-starred with Dorothy Dandridge in the Otto Preminger-directed musical Carmen Jones, a popular breakthrough for an all-black cast.
The 1957 movie Island In The Sun was banned in several southern cities, where theatre owners were threatened by the Ku Klux Klan because of the film’s interracial romance between Belafonte and Joan Fontaine.
His album Calypso, released in 1955, became the first officially certified million-selling album by a solo performer and started a national infatuation with Caribbean rhythms.
Belafonte was nicknamed, reluctantly, the King Of Calypso.
“Harry was the best balladeer in the land and everybody knew it,” Dylan later wrote.
“He was a fantastic artist, sang about lovers and slaves — chain gang workers, saints and sinners and children…
“Harry was that rare type of character that radiates greatness, and you hope that some of it rubs off on you.”
Belafonte befriended King in the spring of 1956 after the young civil rights leader called and asked for a meeting.
They spoke for hours and Belafonte remembered feeling King raised him to the “higher plane of social protest”.
By the early 1960s, he had decided to make civil rights his priority.
“I was having almost daily talks with Martin,” Belafonte wrote in his memoir My Song, published in 2011.
“I realised that the movement was more important than anything else.”
Belafonte was married three times, most recently to photographer Pamela Frank, and had four children.
Three of them — Shari, David and Gina — became actors.
In addition to his wife, Belafonte is survived by his children Adrienne Belafonte Biesemeyer, Shari Belafonte, Gina Belafonte and David Belafonte; two stepchildren, Sarah Frank and Lindsey Frank; and eight grandchildren.