German language film All Quiet On The Western Front was the big winner at the EE Bafta film awards, scooping a total of seven prizes.
The Netflix anti-war epic, directed by German filmmaker Edward Berger and based on the 1929 novel of the same name by Erich Maria Remarque, scooped top gongs including best film and best director.
Berger paid tribute to those fighting in Ukraine and also told the audience he was able to get over his “doubt” thanks to his daughter Matilda who had encouraged him to film the book she was reading at school.
However, these included best supporting actor and supporting actress for the film’s Irish stars Barry Keoghan and Kerry Condon respectively.
Baz Luhrmann’s biopic Elvis also secured four wins, with its star Austin Butler beating favourite Colin Farrell to the best actor gong in a shock decision from the voting academy.
Accepting the prize on stage, Butler thanked the Presley family for their involvement in the film, saying: “I cannot thank you enough for your love… this means the world to me.”
Everything Everywhere All At Once had an even more disappointing night, securing only one Bafta – for best editing – out of 10 nominations.
It was also a lacklustre night for British veterans behind the scenes.
Bill Nighy lost out to Butler in the leading actor category for his performance in Living.
The Bafta for leading actress went to Cate Blanchett for her role as a conductor facing misconduct claims and psychological conflict in Tar.
The Australian actress said the past 12 months had broken down the idea that women’s experiences are not “monolithic”, adding that her role as Lydia Tar “was a dangerous and career-ending potential undertaking”.
Last year’s rising star award winner, No Time To Die actress Lashana Lynch, presented this year’s trophy to Emma Mackey.
Mackey was encouraged to the stage by her smiling Sex Education co-star Aimee Lou Wood, who also received a nomination in the category.
Oscar-winner Kotsur was delivering the announcement by sign language before a miscommunication resulted in Mulligan’s name being said for her performance in She Said.
The announcer quickly corrected themselves and said Condon was the winner for Banshees of Inisherin.
Taking to the stage, Condon paid tribute to her director McDonagh, adding: “Thank you for all the parts you gave me throughout my career. You make me so proud to be an Irish woman.”
She also thanked the “amazing cast” and her family, as well as her horses and dogs.
Ceremony host Richard E Grant joked later that he had a defibrillator for Mulligan after the shock of her name being called and then changed.
The Boy, The Mole, The Fox And The Horse by Charlie Mackesy won the Bafta for best British short animation.
Mackesy praised those involved in the adaptation of his illustrated book and hailed those who strive to be “kind” and “brave” in life.
Best costume design went to Catherine Martin for the biopic Elvis, with her husband, the film’s director Baz Luhrmann, accepting in her place.
The Bafta for documentary went to Navalny, while Guillermo del Toro’s Pinocchio won the Bafta for animated film.
Jamie Lee Curtis and Anya Taylor-Joy presented the outstanding debut by a British writer, director or producer to Charlotte Wells for Aftersun.
Singer-songwriter Joan Armatrading also made a surprise performance on stage alongside Little Simz.